(URGENT!) Please help me with dance!!!

Imagine you are a choreographer and are given the job of choreographing a piece with three other choreographers. Write about how you would accomplish creating the piece of choreography with these other choreographers. What difficulties might you face while working this way? How would you overcome theses difficulties?

Answer:

Setting dance choreography can be a daunting task. Whether you are a new or seasoned choreographer, you may find yourself at a creative block during some part of the process. These are perfect opportunities to be daring and think outside of the box!

Use whatever challenge you are facing to create something new. Choreographing is a work of passion and expression that can be rewarding despite difficulties that may arise.

Often times when people think of dance, they may imagine traditional ballet and jazz dance. In these more traditional forms, the choreography may follow the music exactly and use a structure such as ABA – theme, variation on the theme, and repetition of the theme.

However, if you are choreographing in these genres or another one altogether, breaking this mold can provide satisfying results.

The elements of dance include shape, space, time, and energy. These are important to consider when creating movement for your piece.

Different use of these elements can produce varying results when choreographing. Be conscious and aware of how you use them – they can open up doors and also cause our creative process to come to a standstill. Use them wisely!

Here are some choreographic ideas to get your creative juices flowing:

1. Choreograph in a non-linear fashion.

Instead of starting at the beginning and plowing all the way through, why not start in the middle? Or, begin working with several movement phrases and just see where it takes you.

2. Use improvisation as an impetus for movement, phrases, or overall dances.

You can improvise as the choreographer, or have your dancers improvise for you. Videotaping improvisations can also be very helpful. If you love improvisation or perhaps envision your final work being slightly different each night, you can even integrate improvisation into your piece!

3. Choreograph without music.

If you ever feel stuck choosing music, or you are working with a composer creating an original score, try choreographing without music at first. This will create a dramatically different effect on the relationship between the dance movement and the music. This works particularly well with more ambient, sparse soundscapes.

4. Look at the basic elements of your dance: shape, space, time, and energy.

You can create entire dances based on one element alone, or use these individual elements to create variations on your dance phrases. Step back and brainstorm ideas about each element through writing. Then, explore your ideas through movement.

5. Choose to create a piece outside of the theater, or in a nontraditional space.

You could make a site-specific work in a park, or produce a concert in a black box theater to help break up the frontal monotony of theater dance work. In these nontraditional venues, the audience is often given a new perspective from which to view dance because they are more up close and personal. There is little to no barrier between the dancers and the audience in these settings. The audience may get a 360 degree perspective or simply sit somewhere very close to the dancers.

6. Break your typical movement mold.

If you tend to move a certain way and create dances that all contain similar movement qualities, challenge yourself to create a movement study in ways that oppose your natural habits. You can create an entire piece off of this idea; or, use it as a way to contrast your movement in other choreographic works.

7. Incorporate post-modern dance techniques.

Test your limit of what dance can be. The post-modern dancers of the 1960’s used pedestrian movements such as walking and everyday gestures to make entire pieces. They also incorporated spoken word, video projection, and more.

8. Make your work multi-disciplinary.

If you ever feel stumped for ideas, consider how you can use other art forms or something seemingly completely unrelated to dance to create a new dance work. For example, you could incorporate live music or live painting into the dance. Another idea would be to work with a scientist or anthropologist closely on a topic that interests you to base movement from.

9. Mesh genres.

Have you ever thought about making a hip-hop Nutcracker? You could use modern dance techniques in a musical theater piece, or ballet in a tap number. The possibilities are endless.

10. Use chance methods.

Choreographer Merce Cunningham pioneered this method. There are multiple ways to use chance methods when choreographing. You could roll dice or use the I Ching as he did. Another idea would be to pull ideas, numbers,

which of the following is not a characteristic of expressionist art
a. Strong colors
b. Distorted lines
c. Exaggerated forms
d. Natural appearance​

Impasto
[ Choose ]
Visual texture
[ Choose]
texture rubbing
[ Choose]
Invented texture
[ Choose]

There are more than one answer!!

Select the correct locations on the image. Adrian is using the following font for certain sections of text in a book he is publishing. What font types does the following font include?

ABCD

1. variable-width
2. ligature
3. kerning
4. sans serif
5. no kerning
6. monospaced
7. serif
8. italic
9. bold​

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O Dizzy Gillespie
O Miles Davis
Chet Baker
O Clifford Brown

You would not believe your eyes
If ten million fireflies
Lit up the world as I fell asleep
'Cause they fill the open air
And leave teardrops everywhere
You'd think me rude but I would just stand and stare
I'd like to make myself believe that planet earth turns slowly
It's hard to say that I'd rather stay awake when I'm asleep
'Cause everything is never as it seems
'Cause I'd get a thousand hugs
From ten thousand lightning bugs
As they tried to teach me how to dance
A foxtrot above my head
A sock hop beneath my bed
A disco ball is just hanging by a thread (thread, thread)
I'd like to make myself believe that planet earth turns slowly
It's hard to say that I'd rather stay awake when I'm asleep
'Cause everything is never as it seems (when I fall asleep)
Leave my door open just a crack
Please take me away from here
'Cause I feel like such an insomniac
Please take me away from here
Why do I tire of counting sheep
Please take me away from here
When I'm far too tired to fall asleep
To ten million fireflies
I'm weird cause I hate goodbyes
I got misty eyes as they said farewell (said farewell)
But I'll know where several are
If my dreams get real bizarre
'Cause I saved a few and I keep them in a jar (jar, jar)
I'd like to make myself believe that planet earth turns slowly
It's hard to say that I'd rather stay awake when I'm asleep
'Cause everything is never as it seems (when I fall asleep)
I'd like to make myself believe that planet earth turns slowly
It's hard to say that I'd rather stay awake when I'm asleep
'Cause everything is never as it seems (when I fall asleep)

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5. Beginning with
the emperors of the imperial period made full use of portrait
sculpture's potential as a tool for communicating specific ideologies to the Roman people.
A.Marcus Aurelius
B.Augustus
C.Vespasian
D.Julius Caesar

What element did the artist use in the image?

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B. WWw WWww
C.HHHHHHH
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i hope u like it yuri :)

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A.
pop art

B.
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C.
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Film is the best medium for performers.
A. True
B.False​

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Although it was popular with
audiences, Grieg was dissatisfied
with "In the Hall of the Mountain
King" from the "Peer Gynt" music
and wrote,
A. "I got the idea for this piece from a mighty
thunderstorm."
B. "It is melodious and light, like little fairies tripping
around in an enchanted wood."
C. "It absolutely reeks of...exaggerated Norwegian
nationalism, and trollish self-satisfaction."

Both film and theatre share the use of sound effects.
True
False​

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A: colorless
B: optical color mixture
C: polychromatic
D: monochromatic

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Which of the following is a focus of “Memoir of Siegfried Eifrig” but not of “The Olympic Flame”?

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